ἼωνEste texto foi a minha introdu o a Plat o e fiquei cativada, admito um pequeno di logo entre S crates e Plat o onde s o discutidas as quest es da inspira o art stica e da interpreta o um texto simples que se l numa manh , mas dotado de uma grande densidade filos fica e te rica Para mim que estudo teoria liter ria acho sempre muito interessante quando estas quest o relativamente literatura s o levantadas e, por isso, n o deixei de ficar prendida a este simples e pequeno di logo. I loved this dialogue because it centers on a question that preoccupies me often where does the inspiration passion of the artist come from Incredibly short compared to other dialogues Ion reminds me of so many people I know. The first half of this dialogue is good, Dealing as it does with inspiration,Magnetic power beyond the conscious should.But then it makes erroneous equations,Equating conscious knowledge with the pearlOf true rhapsodic passion in a whirl Directed inspiration is a thing A mean, between blind groping on the wingAnd uninspired and hollow artifice But Plato never says a word of this. Jer pjesnici nam zaista ka u da oni s medonosnih izvora iz nekih Muzinih vrtova i dolova usisavaju svoje pjesme, te ih nama donose kao p ele, lete i kao i one same.Ijon predstavlja dijalog Sokrata i Ijona koji raspravljaju o nadmo nosti Homera nad ostalim pjesnicima, i uop teno o pjesni tvu Njih dvojica su miljenici Homera Ijon je helenski pjesnik, rapsod i mirnog karaktera On je neko ko samo raspravlja o Homeru, dok na pomen drugih pjesnika zadrijema I da, Ijon se esto sla e sa Sokratom ime se kroz dijalog dobija osje aj kao da je sluga Sokratov Njihova polemika se isto tako vodi oko toga kako je mogu e da Ijon tako dobro govori o Homeru, dok druge pjesnike zanemaruje i ne zna da ih tuma i ta ga to vodi samo ka Homeru Po Platonu su pjesnici tuma i bogova Oni su bo iji posrednici Po njemu pjesnici pi u samo uz bo ije nadahnu e Bog se odumizaju i im snagu razmi ljanja, slu i njima kao slugama da bi smo mi slu aoci vidjeli da ta dragocjena otkrivanja ne govore oni u kojima nema razuma, nego da ih govori sam bog, i da preko njih govori nama.Sokrat je taj koji je malo napregnutiji, nao trenijeg uma i koji omogu uje da se izraze osobne misli kroz sam dijalog Za nekoga Sokrat bi izuzetno bio naporan Zamislite da s nekim razgovarate, i on vas pita ta radite i vi mu odgovorite, pa vas pita a to ste to radili, vi mu i tu odgovorite na pitanje, pa vas pita a za to ste ba tako radili za to niste druga ije, naravno, vi mu i tu date razlog za to ste ba tako uradili, a on vam ka e pa moglo se ovako, vi ka ete moglo se ali ja sam ovako, a onda on itd Sokrat je ovdje jedan od onih koji postavlja pitanja.U prilog tome kako Ijon sve potvr uje to Sokrat ka e, osmislio sam jedan kra i dijalogSokrat Ijon Je li tako da si ti lud Ijon Jesam.Sokrat To zna i da nisi normalan Ijon Tako je. This lovely little dialogue, one of Plato s shortest works, involves Socrates and the rhapsode, Ion Ion is a rhapsode, which means that he recites, embellishes, and interprets poetry In Ion s case he is specialized in Homer, and admits that he knows nothing about any other poet Socrates pounces upon this How is it possible to master the best and most difficult of something, and leave the rest untouched Also, how can Ion give sensible interpretations of the events of Homer s poetry, when he does not have any of the skills fishing, sailing, leading armies, and so on mentioned in the poems Ion is not the brightest fellow, and is not able to give any sensible answer to these questions Socrates presses his point that Ion has no real knowledge and instead practices his art through inspiration This, of course, is a famous Platonic assertion, which reappears many times throughout his works However, I find his reasoning supremely unconvincing here There is no absurdity in only understanding Homer and no other poet poetry is not mathematics, with the complex manifestations derived from the simpler Further, there is no absurdity in being able to interpret a poetic passage about fishing while knowing fairly little about fishing itself These ideas apparently did not occur to Ion or Plato But the simplicity of Ion, who is oblivious to Socrates irony, is winsome enough to make this a delightful read. Nel febbraio 2002 eh, sembra sempre ieri leggevo Jone, ovvero Del furore poetico, caposaldo e antichissimo reperto della teoria della letteratura, nella classica traduzione di Francesco Acri Mi interessava, in quel momento, soprattutto per cercare di capire qualcosa dei fondamenti del mondo letterario del Cinquecento europeo Non l ho pi riletto per intero, ma alcune frasi e concetti continuano a risuonare L attivit del rapsodo non una arte ma una virt celestiale , una forza divina, che muove gli animi, come il magnete attira anelli di metallo E avanti a catena la Musa attira i poeti, che attirano gli esecutori, che attirano gli ascoltatoriIl poeta quindi un essere leggero, alato e sacro, buono soltanto se ispirato da Dio, in furore e fuori di s , non razionale.Ragionando con coppie di figure contrastanti si potrebbe gi costruire qui il primo dilemma costitutivo, nella comprensione della letteratura occidentale, opponendo a questo dialogo la Poetica di Aristotele Ispirazione o tecnica Divina Mania dono di parole che attraversano chi le esprime ma non le possiede o Artificio oggetto di parole costruito con arte, con sapienza tecnica E a questo punto, se proprio fossi costretto a schierarmi, credo che dovrei stare con la Poetica.Ma per fortuna non dobbiamo sempre schierarci. this is the first book on platonic dialogue which I read I have studied Plato s ideas in other books but never read one of his own books well obviously his ideas are not accepted in modern philosophy but Ion is a short example of his writings about the nature of literature and especially the inspiration and divine madness which he believes results into poetry. Compared to Euthyphro, Ion is definitely lively, realistic, thus engaging The topic of the dialogue also was a novelty for me No matter how uninterested I am about art of poetry, though, Plato does not fail at capturing one s attention. A concourse in Athens ION, SOCRATES, a PASSER BY ION Hi Socrates.SOCRATES What, you again After the comprehensive verbal trouncing you received yesterday ION Yeah, well, like I ve thought about it some Wanna try a re run SOCRATES If that is what you wish Where shall we start ION Okay, we ll skip the intro For the benefit of people just joining our program, I am a rhapsode, that s a kind of dramatic reciter of poetry, and I specialize in Homer I told Socrates that I m really good at interpreting Homer, like, better than anyone else I know, but other poets just make me go to sleep And he started telling me that didn t make sense and got me all confused.SOCRATES I only question You got yourself confused, young Ion ION Whatever Let s start at the bit with the leaden plummet Okay SOCRATES By all means And when Homer says, And she descended into the deep like a leaden plummet, which, set in the horn of ox that ranges in the fields, rushes along carrying death among the ravenous fishes will the art of the fisherman or of the rhapsode be better able to judge whether these lines are rightly expressed or not ION That s it Well, yesterday I answered like a complete dork that it was the fisherman I d like to change my mind.SOCRATES You now aver that it is the rhapsode ION See, I went and talked to one of my rhapsode friends who specializes in J.K Rowling And I tried out your arguments on him, I said, when J.K describes Harry s first encounter with platform 9 , who will understand it best, you or the railway buff And he said, me of course, it s a fictitious incident that has nothing to do with the real architecture of Kings Cross Station It s all about the Potterverse, on which I m a renowned expert whose blog is followed by SOCRATES I fear, as usual, that my understanding is insufficient to grasp all the subtle points you make Had I but been able to afford that 50 drachma course in sophistry Nonetheless, if I grasp your meaning aright, you say that your knowledge of Homer is the essential thing, not anything about the technicalities of fishing.ION Exactly.SOCRATES Because Homer is using fishing in a poetic sense, rather than giving a lesson in how to maximize your catch ION Quite so.SOCRATES Well, you might have a point there.ION So you ll now concede that appreciation of poetry isn t a mystic art, but just a matter of developing a good knowledge of the source material SOCRATES Oh, I don t know about that Tell you what I ll give you this round, and then let s make it best of three With a doubled stake.ION You re on.PASSER BYsotto voceSucker. In Plato S Ion Socrates Discusses With The Titular Character, A Professional Rhapsode Who Also Lectures On Homer, The Question Of Whether The Rhapsode, A Performer Of Poetry, Gives His Performance On Account Of His Skill And Knowledge Or By Virtue Of Divine Possession It Is One Of The Shortest Of Plato S Dialogues


➽ [Reading] ➿ Ἴων By Plato ➲ – Online-strattera-atomoxetine.info
  • Paperback
  • Ἴων
  • Plato
  • English
  • 06 October 2017
  • 9781419126666

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